Calliope Tsoupaki



News

MEMENTO NOSTRI New York Premiere

“MEMENTO NOSTRI” will sound in a U.S /NEW YORK premiere.
With the amazing Cantori New York conducted by Mark Shapiro also featuring Parthenia Viol Consort and Farallon Recorder Quartet

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Into Space CD

Daring compositions for a Daring New Land. Bringing together newcomers from all corners of the world, with an openness to experimentation and a wonderfully unexpected mix of old and new; these three elements apply to both to the province of Flevoland and to ensemble Black Pencil.

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Interview : Hemisphereson

Attracted by the progressive musical climate, countless aspiring composers found their way to one of the Dutch conservatoires. Among them the Greek Calliope Tsoupaki (Piraeus in 1963)…

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World Premiere : VER AETERNUM

Specially composed for the grand opening of Het Grote Raam “The light of Freedom”. The 23 meters high and 6 meters wide stained glass Large window created by the artist Fiona Tan & the world-famous Van Hagerbeer/Schnitger organ…

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World Premiere : AURORA

For The Netherlands Radio Choir and The Netherlands Radio Philharmonic Orchestra and chef conductor Karina Canellakis…

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Liknon – CD review

To me it rather gave the impression of primal music, in a slow, sometimes extremely slow rite, in which the so essential field of tension is created by the melos…

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EOTHINON / Groeibriljant for string quartet

EOTHINON in Korzo during (UN)Heard Music Festival
Performed by Matangi Quartet

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Componeren kun je leren met componiste Calliope tsoupaki

Speciaal voor het Residentie Orkest heeft Calliope Tsoupaki, tot 2021 de Componist des Vaderlands, het nieuwe werk  Perasma geschreven.

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World Premiere December 16 – Perasma

the passing of time the passing of life
steps in time
a continuous transition from moment to moment

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World Premiere: Scorpio

A Thrilling double bass solo.
Scorpio is especially written for the amazing Sasha Witteveen and her Dutch classical talent finalist tour.

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Reviews behind the moon – Opening Cello Biënnale 2022

“Beautiful were the downward gliding tones, with shivery extinction at the end”

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Two brand new compositions – Cello Biënnale 2022

“I didn’t write it as yet another piece for a competition, no! Rather, I have been looking for how to add something substantial to the existing repertoire for solo cello”

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